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Rhomboid

by Rhomboid

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1.
Bought from a Chinese Apothecary
 In the Early 20th Century
 One man’s cure for impotence
 One’s specimen of great importance
 A little known link between, science and the legendary
 That first nations knew so well
 One for the career of doctor königswald
 Is it merely happenstance
 The ape from 100,000 years ago
 And bigfoot, yeti and sasquatch
 Seem to be a perfect match
 
Self-styled intellectuals, have called the beast impossible 
Labelling fools of those who meet
 The Ape that once, stood ten feet.
 
Gigantopithecus Perhaps are our mythologies
 Echoes of our prehistory
 That erectus met the giant ape
 And the story lasted till our age
 Or should we only value facts, that can be proven without a doubt
 Leaving us with a history
 More full of holes, than a swiss cheese 
Gigantopithecus
2.
Oooooh Hit it!
3.
Holy Eye 06:40
Twisted roots flow with veins like rivers Nourishing life complexity Resonating noise unfolds to patterns In a Subconscious liturgy Open your holy eye to the weird light And enlighten me An empty sea, spurts myths and symbols From a dream to identity Without bodies murmur inspirations I reach to touch so fleetingly Open your holy eye to the weird light And enlighten me
4.
Neo-Shamanic 05:36
Calling on an ancient art That he made up on the spot With a face like plasticine Filling the entire screen Building up to a frothing fit He proceeds to lose his shit Chewing on the scenery Klaus Kinski rolls within his grave Neoshamanic Is it ironic? Oh no what’s this What’s happening As much as I try I can’t look away Neo Shamanic, Rather comic Cynical And sardonic Pseudo-sacred Supervillian Shouting swearing Bug eyes blaring Other players Care for ratings But with Nick There’s no debating His one and only True intention Is to leave a Big impression
5.
A universe from nothing Not exactly comforting The Hope of the enlightenment Shattered by Quantum Events
6.
When you dream at night put the ladder down and let me climb I want nothing more than to explore the stories inside you We conquer monsters, unlocking any door Making love ethereal Down the staircase we go Since I was five, over years I've learned to fly By jumping double and hovering Then on an upwards trajectory Lunching off my parents roof I'll help you stay aloft Reaching lower clouds as if up Invisible stairs we go With nightmares in the basement, like losing hair and teeth Or running form our enemies There's a staircase in the dream, climbing towards heaven So strange the commonality between separate heads, we're told Yet all from the same mold
7.
Kraken 05:13
Deep in abysmal green The realm of the dreamer The floor of the sea Pulling, up this fearsome thing Fishhooks on fingers Plucking the strings All it’s Eight arms Wriggling It’s uncanny will spills out in a wave Rising From the Ocean Like a forgotten fable that feels it’s time’s come again Calling the devil from the deep blue sea Just like bards before me Castles of sand, riffs on the tide Jams from the brine We sail, on the kraken’s wake To Conquer, or to sink into the waves Octopus Tentacles Pulling me Into the dream Losing air In the wet Treasure’s grasp Could be my last
8.
MoMo 06:03
Mo Mo Mo Mo...

about

“Magic in its earliest form is often referred to as ‘the art’.  I believe this is completely literal.  I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.” 
- Alan Moore

The work you hold in your hands is formed from magical concepts by the Wizard Ari Freeman, trained by the Wizard of New Zealand.
Starting with "Coagula”, an alchemical guitar crafted from floor boards left over from a renovation from his house, Ari decided to put the spells he had been working on for many years to the test.
Finding a likely musical soul in Oscar Green, a drummer beyond his years, they began weaving songs.
Having learned the power of funk to move people’s bodies, Ari began to search for other elements to reach their minds and souls. He found it in the seemingly accidental collision of 60’s psychedelic pop textures and the angular harmonies of 90’s alternative rock.
Sculpting an holistic sound to affect mind body and soul, they required a bass player to lay down the fundamental lore.
They decided to ask the best bass player they had ever met. A certain Mike ‘Fud’ Fudakowski, previously of the seminal Christchurch progressive metal band Cripple Mr Onion, who had been Ari’s teacher in his youth.
Fud showed himself able to often literally play Ari’s compositions with one hand tied behind his back, and so had another hand ready to hold down chords and harmonies allowing Ari’s lead guitar to soar, meander and render many chords previously unattempted by guitarists to date. This was possible due to Fud’s 10 string bass Namazu, an instrument he has designed himself, which has nearly the range of a grand piano.

This album was recorded singlehandedly by Ari in his musical laboratory and is the distillation of the most effective material from many live shows for which Rhomboid have gained a formidable reputation in their home town of Christchurch, the post apocalyptic Cathedral city rocked to it’s foundations leaving only the bravest and most dedicated behind.

Contact the Wizard Ari Freeman at arifreeman@gmail.com

credits

released June 4, 2015

The Wizard Ari Freeman: Guitar, Vocals, Recording
Fud: 10 String Bass
Oscar Green: Drums

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Rhomboid Christchurch, New Zealand

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